Corduroy Hat

Donated by Hunt’s Department Store

This 1960s bucket-style corduroy hat comes from Hunt’s Department Store.

Fred Hunt established clothing stores in Fayetteville and Rogers in the 1940s, with a Springdale location coming later.

Hunt’s flagship store in Fayetteville expanded in 1964, opening a second location, both on the Fayetteville Square. Hunt’s on the north side of the square specialized in clothing for women and children, while Hunt’s on the east side of the square focused on men’s clothing.

By 1980, Fred Hunt had retired from the retail business. He died in 1995.

Baseball Mascot Shirt

Donated by Susan and Orville Hall Jr. 

Growing up in Fayetteville in the 1930s and 1940s, Orville Hall Jr. was surely the envy of all his buddies when he wore this snazzy shirt emblazoned with professional baseball team mascots of the day. Several teams on the shirt no longer exist. The St. Louis Browns became the Baltimore Orioles in 1954. The Washington Senators moved to Minnesota in 1961 to become the Twins. The New York Giants remained in New York until 1957 when they and the Brooklyn Dodgers moved to San Francisco and Los Angeles, California.

Brisé Folding Fan

Donated by Ann Sims Ingrum

In the late 1800s and early 1900s folding fans were popular accessories for women. Retail ads called them “a warm-weather necessity.” Brisé is French for “broken,” which refers to the fan blades that overlap and are held together with a ribbon attached to each blade tip and a rivet at the base.

This fan is made of celluloid plastic. In the early 1900s the price of a celluloid fan ran anywhere from twenty-five cents to five dollars, depending on fan’s quality and decorative elements. While many fans at that time were imported to the U. S. from Japan, China, and Europe, there was also a stateside celluloid fan industry which centered in Massachusetts. The 1914 Statistics of Labor report for Massachusetts shows that of the 96 people who worked at home in the manufacture of celluloid novelties, 25% were children under the age of 14. The publication points out that children between the ages of 5 and 14 have “nimble fingers [which] make quick work of running ribbon in fans. . .”

The fan-making process and rates of pay are also included in the 1914 report:
1914 Massachusetts Labor Statistics Report for Celluloid Novelties

Going to Canaan

Canaan Cemetery with Ward Mountain in the distance.

Canaan Cemetery with Ward Mountain in the distance.

Last week my job took me to Marshall High School over in Searcy County. There I spoke to students about the life of folk artist and Searcy County native Essie Ward. Afterwards, I paid a visit to Canaan Cemetery on the outskirts of town, where Essie and other Ward family members are buried.

The view from Canaan is a mixture of rolling green pastures and forests of oak and hickory. Just a few fields away, Ward Mountain, also known as Russell Point, rises up, a silent watchtower. It is so lovely here, a fine place to say farewell to a loved one’s Earthly bonds. But what moves me most on this day is not the idea of farewell, but the idea of remembering, and of being remembered.

Canaan Cemetery with Ward Mountain in the distance.

Canaan Cemetery with Ward Mountain in the distance.

Within Canaan’s bounds are pioneer tombstones unlike any I’ve seen in the Arkansas Ozarks—two-tiered slabs of sandstone with an upright headstone hewn into a diamond and fitted into place. (I’m calling the diamond a headstone because it’s on the western end of the sandstone tiers. Most burials in old Ozark cemeteries are oriented in an east-west direction. The body is placed in the grave with the feet to the east, so as to be able to rise up and meet Jesus, who will come from the east on Resurrection Day.) Looking at these sandstone markers, I can’t help but reflect on the people buried here, the family they left behind, and the lives they all lived. I remember them, even though I never knew them.

Cast Iron grave markers, Canaan Cemetery, Searcy County, Arkansas

Cast iron markers decorated with a dove, leaves of three, lamb, and farewell handshake. The marker on the far right still has the paper epitaph behind a glass inset.

Next, a row of cast iron markers catches my eye. I don’t see them often in Ozark cemeteries; in the language of bird watching, I’d call the sighting of a cast iron marker “occasional to rare.” They’re of a similar, mass-produced style, probably dating to the late 1800s. A panel in the midsection, covered with a glass plate, offered a protected place to insert a paper memorial or epitaph. The glass plate, ergo the paper epitaph, often fell victim to breakage and weathering. In fact, I had never seen a cast iron marker complete with glass plate and paper insert until my visit to Canaan. And what few cast iron markers I had seen always had a lamb embossed on the top. In Canaan, I see not only a lamb, but also a dove, a farewell handshake, and leaves of three. Looking at these cast iron markers, I can’t help but reflect on the people buried here, the family they left behind, and the lives they all lived. I remember them, even though I never knew them.

Cast iron marker with paper epitaph behind glass inset. It reads, “N. J. Mathis, Born Jan. 6th, 1876. Died Jan. 8th, 1895. Blessed are the dead that die in the Lord.”

The old Upland South tradition of scraping the graves clean of grass and mounding them with dirt still exists in sections of Canaan. This amazes me. Who in our fast-paced world has time to scrape weeds and grass and topsoil down to the clay subsoil? To maintain the hardened clay surface, to sweep the leaves away, to haul in dirt now and then to keep the mounds fresh. To carry on this tradition of respect and devotion for family members who’ve been gone a century or more. To teach the younger ones why this is done, and why it should continue. Who has time? Somebody who understands the value of remembering, and of being remembered.

Scraped and mounded graves.

This day at Canaan, a woman tends her family plot. She rakes leaves and gathers up weather-worn plastic flowers. As she hauls the debris away to a dumpster, she calls out to me, “Do you have people buried here?” I say no, that I just like old cemeteries. We talk for a few minutes. She tells me of a life spent coming to this cemetery, of being a little girl and helping her mother and aunt make crepe paper flowers to place on the graves for Decoration Day. Of coming out here still, part of her routine for sixty-some-odd years. She comes to Canaan with the idea of remembering, and of being remembered.

Susan Young is the Shiloh Museum’s outreach coordinator.​