Spring Arrivals

Cedar waxwings at Shiloh Museum.

Cedar waxwings are a sure sign of spring on the museum grounds. Photo by Aaron Loehndorf

There are many signs to the coming of spring. Here at Shiloh it is usually the appearance of spring flowers, ground bees buzzing, and wildlife returning, both human and non. One of the sure signs that happen each year around this time for several days is the appearance of cedar waxwings. These playful birds often travel in large groups. Here at the museum, one or two waxwings arrive first and are followed shortly by larger numbers. In the springtime, they pick at the blossoms of our hackberry trees; in the fall, they will return for a feast of holly berries.

Cedar waxwings at the Shiloh Museum

Three ninjas. Photo by Aaron Loehndorf

These “ninjas,” as one staff member called them, silently appear and make their presence known with their calls. Cedar waxwings have two calls. One is a high-pitched, trilled “bzeee” and the other a sighing whistle. Visit Cornell’s Lab of Ornithology for audio clips of each call.

Leucistic robin at the Shiloh Museum

A leucistic robin takes refuge on the museum grounds. Photo by Aaron Loehndorf

Another wildlife sign of spring is the occasional glimpse of a leucistic American robin. Leucism is from the German leucimus, which is from the Greek leukόs for “clear, white.” It is caused by reduced pigmentation which causes pale color or patches of reduced coloring. Unlike albinism which is caused by a lack of melanin, leucism inhibits melanin and other pigments as well.

Adjacent to Spring Creek and right on the Razorback Regional Greenway, our museum campus is a great spot for a nature walk. Bring the family, but please remember to respect the flora and fauna that call this little downtown oasis home.

Aaron Loehndorf is the Shiloh Museum’s collections and education specialist.


 

Priscilla, Queen of the Vacuum

Priscilla the Fastidious Pig, probably at a Quality Feed Store in Springdale, Rogers, or Huntsville, Arkansas, circa 1950.

Priscilla the Fastidious Pig, probably at a Quality Feed Store in Springdale, Rogers, or Huntsville, circa 1950. LeAnn Ritter Underwood Collection (S-2012-31-74)

It’s always fun to look through photo donations because you never know what you’ll find—and learn. In looking through a batch of images donated by LeAnn Ritter Underwood I came across a photo which made me laugh out loud. A pig nosing a vacuum cleaner!

Quality Feed Store, Springdale, Rogers, or Huntsville, Arkansas, 1950s.

Quality Feed Store, Springdale, Rogers, or Huntsville, 1950s. Hubert L. Musteen, photographer. LeAnn Ritter Underwood Collection (S-2012-31-61)

The collection belonged to Mrs. Underwood’s father, Roy C. Ritter (1908-2001), who was born in the Wheeler community of Washington County. Ritter began raising turkeys and broilers in Springdale in the 1930s, just as the poultry industry was getting started in Northwest Arkansas. The broilers raised at his Arkansas Quality Farm were served at his A. Q. Chicken House restaurant, founded in 1947. He also opened Quality Feed stores and hatcheries in Springdale, Rogers, and Harrison. Ritter was a leader in the poultry industry, both statewide and nationally, serving as president of such organizations as the Arkansas Poultry Federation, the National Turkey Federation, and the National Broiler Council. Ritter was also a community leader, serving as Springdale mayor in the 1970s.

So why the pig photo? It took a few Google searches before I came across a reference in C. James Goodwin’s 1999 book, A History of Modern Psychology. In it he wrote about the work of Keller and Marian Breland, who, as graduate students during World War II, worked with noted psychologist B.F. Skinner to train pigeons to guide missiles.  After graduate school the Brelands opened Applied Behavior Enterprises in Minnesota, training animals for entertainment and commercial purposes. Their first contract was with General Mills, teaching hens to tap dance as a way to advertise the company’s Larro Farm Feed.

Animal trainers Keller and Marian Breland, from the booklet Animal Wonderland: The Story of the Keller Breland Educated Animals, 1962.

Animal trainers Keller and Marian Breland, from the booklet Animal Wonderland: The Story of the Keller Breland Educated Animals, 1962. Ernie Deane Collection (“Hot Springs IQ Zoo”), Manuscript #167, S-2012-136-63)

Their success led to “Priscilla the Fastidious Pig.” According to an article about the Breland’s training methods, not only could Priscilla push a vacuum, she could turn on the radio, put clothes in a hamper, eat breakfast at a table, answer quiz questions, and select her favorite food—Larro, of course—from that of competitors. From 1948 to 1950 Priscilla performed her act at feed-stores, county fairs, and on television. Except it wasn’t the same Priscilla. Every few months, as Priscilla grew in size, she was replaced by a new trained pig, one that was smaller and easier to ship.

Comparison of the stage and fencing in the Ritter photo with similar photos on the Internet help ID this pig as Priscilla, along with the feed box with its Larro decal. A notation on the back of the photo reads, “Frame and send to Quality Springdale,” suggesting that the photo might have been taken by a Larro representative at one of Ritter’s Quality Feed stores.

There’s another Arkansas connection to this story, as I discovered by looking in newspaperman Ernie Deane’s extensive research files, donated to the Shiloh Museum by his daughter Fran Deane Alexander. In the early 1950s the Brelands moved their company to Hot Springs and opened the I. Q. Zoo in 1955. Visitors could watch such animal acts as piano-playing cats, drumming ducks, high-wire hens, and basketball-dunking raccoons. The critters were trained through “operant conditioning,” a type of animal psychology which encouraged specific, desirable behaviors with food rewards.

So as a result of one funny photo I learned about Priscilla, the Brelands, and I. Q. Zoo. Who knew?

Marie Demeroukas is the Shiloh Museum’s photo archivist/research librarian.


 

A Thorny Thicket

Tintypes recently discovered in the Ada Lee Shook Collection.

Last year I was deep in the process of cataloging the Ada Lee Smith Shook (1928-2009) Collection. Ada Lee’s ancestors were among the first to settle in Northwest Arkansas. I worked up a very basic family tree, found spouses, divorces, deaths of loved ones, births, graduations, lifelong friendships, and all the usual highs and lows found in a lifetime. I became so attached to her and her family, it was sad to watch them age very quickly through the thousands of photographs. In this case, I did not have the luxury of watching it occur in real time, but over the course of a few months.

When I completed this project, glutton for punishment that I am, I accepted the challenge of going through three more collections donated to us by Ada Lee in the years leading up to her death. We found a treasure trove of photos loaned for our History of Washington County (published by the Shiloh Museum in 1989). Many are original photographs and there is also a lovely set of tintypes.

With this batch of photos, I have now been introduced to a whole new branch of Ada Lee’s family tree. But a mystery began with two tintypes slid between mountains of photos in envelopes and boxes.

The tintype on the left was familiar, as we have a copy of the image in our photo collection. It is George Washington Vaughan (1813-1888) with his grandsons. We knew the name of only one grandson in the picture—Albert W. Bevers—who was reported to be the boy on the right. The second tintype, showing four unidentified girls, appears to have been taken on the same day as the Vaughan tintype.

George Washington Vaughan and grandsons

A copied photo of George Washington Vaughan and grandsons from our museum collection—the same image as the newly-discovered tintype. Ada Lee Shook Collection (S-85-323-31)

The rapture of discovery was put on hold while I worked up a more intensive family tree in a tentative hope we could come up with IDs for the girls in the second tintype and perhaps the boys with George Washington Vaughan.

Based upon clothing and an age estimate for Albert W. Bevers, the previously cataloged photo had an estimated age of early 1880s attached to it. Keeping that in mind, we checked the dates for all of George Washington Vaughan’s grandchildren and compared those against the estimated date of the image and the guesstimated age of the children in the images. And let me tell you—when historians do math, it is a hoot!

I located other photos of the families involved (see two below) and we began the process of elimination.

Joseph Bevers and Ada Vaughan Bevers family of Hindsville, Arkansas, circa 1880.

Joseph Bevers and Ada Vaughan Bevers family of Hindsville, Arkansas, circa 1880. From left: Cora, Albert, Amy, Joseph, and Ada holding Ada Estelle. Ada was the daughter of George Washington Vaughan. Ada Lee Shook Collection (S-87-325-14)

Henry Parker and Julia Fitch Parker Family. circa 1890s.

Henry Parker and Julia Fitch Parker Family. circa 1890s. Julia was the granddaughter of George Washington Vaughan. Ruby Vaughan Collection (S-96-1-340)

After studying photos and birthdates of George Washington Vaughan’s grandchildren, we postulated that the children in the tintypes were those of two daughters of George Washington Vaughan—Margarett Louisa Vaughan Fitch (1838-1926) and Ada Ann Isabelle Vaughan Bevers (1851-1943). While there are several grandsons that could possibly be the other two boys in the George Washington Vaughan and Albert Bevers tintype, we think the children came from the Bevers and Fitch families and were not a hodgepodge of children belonging to the siblings of Margarett Vaughan Fitch and Ada Vaughan Bevers.

Granddaughters of George Washington Vaughan

We now believe these are the granddaughters of George Washington Vaughan.

So who do we think the children in the tintypes are?  For the girls, we suggest, front row, L-R:  Cora Bevers Southerland (1874-1902), Ada Estelle Bevers Slaughter (1879-1955). Back row, L-R: Julia Ann Fitch Parker (1868-1946), Amy Elizabeth Bevers Southerland (1872-1907)

George Washington Vaughan and grandsons

George Washington Vaughan and grandsons.

As for the boys, we believe they are, front row, L-R: Lemuel Washington Fitch (b. 1876), George Washington Vaughan, and Albert W. Bevers (1877-1964). Standing in back is William Byron Fitch (1874-1893).  I was able to locate an image of another grandson, Catlett Franklin Fitch (1871-1948), but am almost certain he is not pictured, although it is possible.

I feel sure about the identifications of Albert and Ada, because in the course of cataloging this collection I watched them grow from children into elderly adults. The other children I can only speculate on. Until someone brings in a photo with IDs, we will never know for certain who they are.

Moral of the story: ID your photos early, in detail, and while you still remember. Do not assume that decades later your children, grandchildren, or great-grandchildren will know who these people are.

Rachel Whitaker is the Shiloh Museum’s research specialist.


 

Plowing New Ground

Aaron behind the plow. Photo by Judy Costello

Professional development opportunities and conferences are opportunities to not only network with colleagues from across the country, but in some cases around the world. Recently education manager Judy Costello and I were fortunate to be able to travel to Mumford, New York, for the Association for Living History, Farm and Agricultural Museums (ALHFAM) annual conference. This year’s conference theme was “Breaking Through Barriers: Living History in Modern Times.”

Like many other conferences, there were sessions about the work of different museums and historic sites as well as the opportunity to visit several sites in the area. But there are a couple of traditions that are unique to ALHFAM conferences. One such tradition is the Plowing Match, where conference attendees can sign up to plow a furrow. This year at Genesee Country Village & Museum the competition involved directing a team of oxen.

The finished furrow. Pretty good for a beginner! Photo by Judy Costello

There were three categories offered in the contest: novice, apprentice, and expert. Since I have never plowed before, I signed up as a novice. Matt Sanbury of Genesee Country Village & Museum walked alongside us novices as we plowed, giving  tips about which way to lean the plow as we guided the oxen team.

In the end there were over forty people who took the plowing challenge, including twenty-six novices. It was quite a surprise during the closing banquet when I was awarded third place in the novice category and was given a commemorative mug made by Mark Presher, master potter at Genesee.

The top five in the novice class. Photo by Judy Costello

While I do not expect to be plowing anytime soon here at Shiloh, being able to participate in historic trades like plowing allows us to convey what people in the Ozarks historically had to deal with on a daily basis.

Aaron Loehndorf is the Shiloh Museum’s collections and education specialist.


 

Chasing Wild Geese

My curiosity has been piqued lately. Want to chase a few wild geese with me?

J. C. Hawkins’ 1925 panoramic photos recently brought in by Rev. John E. King on behalf of the Administrative Commission for Walnut Grove Presbyterian Church.

J. C. Hawkins’ 1925 panoramic photos recently brought in by Rev. John E. King on behalf of the Administrative Commission for Walnut Grove Presbyterian Church.

Wild Goose #1. Rev. John E. King brought in two wonderful panoramic photos of a church and congregation on behalf of the Administrative Commission for Walnut Grove Presbyterian Church (near the Washington County town of Farmington). Sadly, the church recently disbanded. The images were taken in 1925 by J.C. Hawkins of Newton, Iowa. Hawkins’ name seemed familiar so I checked our photo database. Sure enough, we now have ten of his panoramic images in the collection, all taken in Washington and Madison counties within the span of a few weeks:

  • April 22—Fayetteville High School students
  • April 22—Fayetteville Public School eighth-grade students
  • April 24—Washington School students (Fayetteville)
  • May 3—Walnut Grove Presbyterian Church congregants and environs (near Farmington)
  • May 4—Westside School students (Fayetteville)
  • May 11—Sligo Wagon Wood Factory workers (Fayetteville)
  • May 29—Aftermath of the fire on the Huntsville square
  • May 30—Decoration Day participants (Witter)
  • May 31—Church congregants at Jones School (near Wharton)

Who was John C. Hawkins? Through an Internet search I learned that in 1909 he founded the Clipless Paper Fastener Company in Newton. While he’s listed as a manufacturer of paper fasteners in the 1920 census, by 1930 he’s a hotel manager. The executive director of the Jasper County Historical Museum in Newton kindly sent a scan from A Century of Industrial Progress in Newton, Iowa, which notes that Hawkins’ company went into receivership and was purchased in 1925. So perhaps he picked up a camera as a way to earn a bit of money. Neither the director nor a county historian knew of Hawkins’ photographic activities, but now they’re intrigued as well. Perhaps they’ll chase that wild goose for me.

Grape basket, 1920s.

Grape basket, 1920s. Shiloh Museum purchase (S-2012-114)

Wild Goose #2. A researcher working on a project about the grape industry in Springdale needed two things from me—a scan of a label found on a grape basket in the collection and information about the Ozark Grape Festivals of the 1920s. As part of my research I read that during the first festival in 1925 the Springdale Community Club sent out nearly 4,000 complimentary baskets of grapes “to practically every State in the Union and to Canada.”

According to an article in the April 29, 1937, edition of the Springdale News, “The baskets provided for mailing were filled with choice Concords and bore the label of the grape associations. . . .” Even more grape baskets were sent in 1926. So I got to thinking, what if our grape basket is one of the festival baskets? The label from the Springdale Grape and Fruit Growers Union has a 1920s vibe about it. Most of the grapes grown in the Springdale area were sent by truck or rail to the Welch Grape Juice plant in bushel baskets or crates. The history of this basket will remain a mystery until a grape festival basket with its shipping label appears one day or we find an image showing the baskets prepared for mailing.

Ozark Grape Festival, Emma Avenue (Springdale), August 1926.

Ozark Grape Festival, Emma Avenue (Springdale), August 1926. Gene Thompson Collection (S-96-56-5)

Wild Goose #3. According to the 1937 article, during the 1926 grape festival “Special containers of grapes were sent to President Coolidge and to Premier Mussolini. The containers were small refrigerators consisting of veneered pine boxes 24 inches square, inside of which were copper containers holding eight four-quart baskets of grapes with a net weight of five pounds each. Ice was packed around the copper container to preserve the grapes.”

Curious to know if there was a record of the president receiving this gift, I contacted the Calvin Coolidge Presidential Library and Museum in Massachusetts. The archivist there graciously checked the photos and scrapbooks in their collection, but nothing turned up. A check with a manuscript reference librarian at the Library of Congress, which has a Coolidge Papers collection, was also negative as Coolidge destroyed most of his personal papers before his death. I think the fate of the grape box and the president’s thoughts about it will remain mysteries. But there’s no mystery as to why a box was sent to Premier Mussolini of Italy. The Italian immigrant community of Tontitown supplied tons of grapes to the Welch plant over the years.

“Brightwater” apple history card, created in 1903 and featuring an excerpt from George F. Kennan’s 1892 letter.

“Brightwater” apple history card, created in 1903 and featuring an excerpt from George F. Kennan’s 1892 letter. Courtesy USDA Fruit Laboratory Card Catalog Collection (MS 365). Special Collections, USDA National Agricultural Library

Wild Goose #4. When I attended a recent event at Brightwater, Northwest Arkansas Community College’s new culinary school in Bentonville, I heard one of the staff members say that the apple for which the school is named is extinct. Curious to learn more, I contacted Guy Ames of Ames Orchard & Nursery in Fayetteville. Guy’s a passionate plantsman who’s been growing fruits and fruit plants adapted to Ozark conditions since 1983, including several Arkansas heirloom apples. He put me in touch with Scott Gothard in Amorel (Mississippi County). Equally passionate, Scott’s hobby is collecting and growing every Arkansas apple he can find. Both men searched their reference books and contacted friends in the field in an effort to find Brightwater.

I also heard from Sara Lee, archivist at the National Agricultural Library (NAL) in Maryland. She generously spent quite a bit of time digging for Brightwater info in NAL’s early fruit books and records. Her efforts turned up several interesting tidbits, including the June 1884 edition of  Gardener’s Monthly and Horticulturalist which included a note from J.B.G. [probably nurseryman John B. Gill] of Springdale, who had mailed two apples to the periodical for review. The editor pronounced Brightwater as “excellent” and a “very desirable apple for that far down section of the country.”

Artist Bertha Heiges’ depiction of a Brightwater apple from Logan, Utah, 1900.

Artist Bertha Heiges’ depiction of a Brightwater apple from Logan, Utah, 1900. Courtesy USDA Pomological Watercolor Collection

Sara also sent a scan of an index card with an excerpt from an 1892 letter by George F. Kennan of Rogers. Kennan is said to have established the first nursery in the area. He grew and promoted Brightwater. He writes, “I believe [the apple] originated at Brightwater Benton Co., Ark and the tree was set by Enoch Groot [Trott, the first settler of Brightwater] in a very early day. Mr. A. [Albert] Peel bought the farm soon after the [Civil] war and some 13 or 14 years ago he called my attention to the apple. I top grafted a few trees and fruited them and believed it would be a valuable addition to our list. I give this statement at length because it is in the nurseries and is cataloged in a great many states and will doubtlessly be of interest to a great many planters as well as nursery men.”

At this point finding Brightwater, if it’s still out there, will take a concentrated effort from apple hunters who know what they’re looking for, heirloom growers throughout the nation who may have Brightwater in their collection, and contact with folks in Brightwater and nearby Avoca who perhaps have old apple trees growing on their property. A daunting task but I take heart with what Scott wrote: “If we can find it, we can save it.”

So, four questions, zero answers. That’s the problem with a wild goose chase—sometimes you run into a dead-end or the search is greater than what you have time for. But the interesting bits of history that you learn and the generous, helpful people you meet along the way sure are fun. My grateful thanks to everyone who took the time to answer my questions.

There are a number of marvelous turn-of-the-20th-century images of Arkansas fruit in the USDA Pomological Watercolor Collection. The National Agricultural Library is in the process of digitizing their American catalogs in the Henry G. Gilbert Nursery and Seed Trade Catalog Collection.  As of February 2017 they had over 26,000 catalogs digitized!

Marie Demeroukas is the Shiloh Museum’s photo archivist and research librarian.


 

In Search of an Outhouse

Norwood School (Benton County, Arkansas), 2015.

Norwood School (Benton County, Arkansas), 2015. The building was added to the National Register of Historic Places in 1988.

My first major research project for the Shiloh Museum was in preparation of a New Deal photo exhibit set to open in December 2015. In a discussion about the exhibit, it was casually mentioned that the New Deal included the construction of outhouses. It then became a challenge for me to locate these elusive creations.

In search of a listing of New Deal projects completed in our six-county focus area (Benton, Boone, Carroll, Madison, Newton, and Washington counties), I scoured crumbling newspapers, faded and blurred microfilm, various tomes on archaeological research of state and national parks, websites for the National Health Services, local histories, and the National Register of Historic Places. Imagine my delight when I found an article listing 505 sanitary units constructed in Washington County alone. No, you did not misread that: 505!  But that was just a mention of them; not an actual listing of their locations. Still, I was not deterred. The hunt was on!

Allow me to set the stage with a little background on the Depression and the New Deal in Arkansas. In 1927, a great flood devastated much of Arkansas when the Mississippi burst its banks and caused other rivers like the Arkansas, White, and St. Francis to overflow as well. The Red Cross provided relief to those impacted by the months-long flooding. The flood was followed three short years later by a drought. While Arkansas may not have been as impacted by the stock market crash of 1929 as other states, its residents were in dire need when Franklin D. Roosevelt became president in 1933. A testimony to this can be found in the 1935 and 1936 editions of the Springdale News, which list pages and pages of folks so strapped for money that they were delinquent in paying their taxes.

Government relief was by no means a novel concept when Roosevelt took office. His predecessor, Herbert Hoover, had begun his own relief programs with limited success. Whether or not these measures would have been successful in the long run is unknown, because Hoover was not voted in for a second term.

Under Roosevelt’s New Deal, relief efforts were expanded (many of the programs were precursors to contemporary programs). He established a sort of alphabet soup of agencies like the CCC (Civilian Conservation Corps), the WPA (Works Progress Administration/ Works Project Administration), the AAA (Agricultural Adjustment Administration), FERA (Federal Emergency Relief Administration) and many others. The Social Security Administration was born, as well as reforms and regulatory groups intended to prevent future catastrophic failures. I won’t bore you with the details or the hierarchies, but if you want more information, check out Living New Deal.

Arkansas received more aid per capita than many other states because Arkansas did not generate enough revenue to pull itself out of the mire. (For a state-by-state comparison, see the 1941 report on the WPA.) Arkansas had an agricultural base, but with plummeting prices for crops, there was no way to earn enough to support the state’s families.

Most New Deal programs focused on education and infrastructure. In Arkansas, FERA provided over $600,000 in funds for teacher salaries and schools. FERA also provided access to commodities. Distribution of these commodities led to the need for better roads for deliveries and commissaries where recipients could pick up their supplies. The WPA, NYA (National Youth Administration) and CCC built water towers, post offices, schools, roads, campgrounds, state and municipal parks, dams, canning kitchens, jails and courthouses. Some of these projects were new construction and some were extensive repairs.

Now, back to my research. As of yet I have been unable to locate an exhaustive list of projects completed under the New Deal, so I have begun compiling my own list. (I am currently up to 151 projects that were certainly or likely completed under the New Deal in our six-county region, and I welcome any additions or corrections.) Once my list reached the one hundred mark, I began researching outhouses—or rather, sanitary privies and sanitary units—in earnest, even though I had found only one miserly mention of outhouses among the Northwest Arkansas New Deal projects.

Did you know that there are government publications on the very subject of outhouses? In 1943, E.S. Tisdale, the Sanitary Engineer for the Public Health Service, along with C.H. Atkins, the assistant engineer, published The Sanitary Privy and its Relation to Public Health. Even better is the U.S. Treasury Department and Public Health Service bulletin, The Sanitary Privy, published in the 1930s. This document focuses on the types of outhouses, the pit types, bench types and even a suggested example of text for city ordinances. There are even posters and advertisements to promote the use of these structures.

WPA Poster Collection, Library of Congress

Between 1933 and 1942 over two million sanitary privies were constructed and over 110 million dollars was spent on this effort in the United States.  Arkansas had 53,808 sanitary units constructed within its boundaries. And remember, Washington County, Arkansas had 505. I finally stumbled across a mention in the local newspapers of WPA outhouses in Boxley (Newton County). Unfortunately, my hopes were momentarily dashed when I could not find information about whether or not those outhouses were still in existence. I returned to the Arkansas Historic Preservation Program’s list of historic structures with outhouses in the back of my mind. I was, after all, still compiling a list of WPA construction projects. There I stumbled upon a little gem of information buried in the site description of the National Register nomination for Norwood School in Benton County: a “stone ‘outhouse’ with metal roof, contemporary to the school building, is still on the premises.'”

Still, I did not get my hopes up. It was entirely possible that the outhouse had suffered an untimely demise since the building’s nomination in the 1980s. So one evening I set off along the back roads southeast of Siloam Springs. I had grown up in this part of the world on a dairy farm only a few miles away. How had I not known about this hidden piece of history? Alas, online mapping sent me down and around to Nicodemus community instead of my destination. But I had made it this far. I was not going to give up. At last, I arrived late in the evening at my destination—Norwood School. As I parked in front of the old schoolhouse, I noticed a smaller stone structure, mostly obscured by an old tree.  Cue the choir!  I had found one!  Finally, a New Deal outhouse!

Norwood School’s circa 1937 girls outhouse, 2015.

She was made of rougher stone than the school, more like she was thrown together from leftover pieces of the school building.  A squat companion to the school for the past seventy-eight years, with a hidden opening and pieces of metal bent and slapped jauntily on top, she had stood up to the vines trying to erode her joints and also to the lack of a proper foundation. And the thrills just kept coming. I was surprised to discover that not only had one outhouse survived, but two!

The current owner of the property was kind enough to share what information he had on the school and the outhouses. The school was used as a church during the late 1970s or early 1980s, and the privies were used by the congregation. The girls privy (seen above), has since had the holes (not a single hole unit, this!) boarded over to deter pranksters and unwanted pests. It is located to the left of the school building, camouflaged from the most casual of observers. The other structure, the boys outhouse, sits somewhere to the right, hidden from view. It has been converted into a well-house.

With the use of this now-archaic structure, we moved past the diseases and germs prevalent in previous generations. Likewise, the education programs that accompanied the construction of these humble outbuildings brought a growing awareness of how disposal contaminated water supplies and food. Equally important, the construction of outhouses created jobs through programs like the WPA, CCC and CWA. We laugh now and poke fun at her, but in reality, the outhouse was an important part of the New Deal—after all, they built over two million of them.

I pulled away from Norwood School, exhilarated by my find. Indiana Jones I was not, but I had rediscovered that elusive artifact of civilization, the New Deal outhouse.

Like a kid in a candy store, I look forward to my next research project and what extraordinary ephemera I might discover along the way.

Rachel Whitaker is the Shiloh Museum’s research specialist.